Sunday, October 25, 2009

RIP Have Heart


On October 17, 2009, the world lost one of the best hardcore bands of all time. Have Heart played their final show at Club Lido in Boston MA last Saturday to a 2,000 + crowd with bands like Shipwreck AD, Bane, Foundation, and labelmates on Bridge 9 Records Cruel Hand. I was lucky enough to catch this band on their 2nd to last Southern California show ever, and seeing as how that was all kinds of astounding, I can only imagine how amazing their final hometown show was. These guys represented something different in music. They were not just a "chuggachuggabreakdownscreamchuggachugga" band, they were a band that meant every word they said, every song was pointed and had a message, and these meanings and messages were about living a positive life with the people you love around you. Vocalist Patrick Flynn wrote lyrics that addressed themes not usually addressed in hardcore: family, the failures one feels when compared to them, the struggles they face with problems like alcohol, and the fight to break from the family tradition of addiction. Who else in music writes about things like that?

My point here is that a great band lived for 7 years. From 2002 through 2009, Have Heart showed us what hardcore had the potential to be. I am grateful that I got to experience them for myself, and I encourage all of you who don't already know their stuff to go and check it out here. Then go to Bridge 9's site and buy their entire discography. Honor the only band in hardcore that could make me permanently etch their words onto my body.

Friday, October 9, 2009

Saturday, September 26, 2009

Review: Paramore -brand new eyes


When I pre-ordered my copy of the (surprisingly sold out) deluxe edition of the new Paramore album brand new eyes, I honestly was just doing it for the vinyl 7" that came with it featuring two of the album tracks acoustic. But as I watched the DVD before I popped in the cd, I began to get even more excited for the record. My first impression of the bands state of mind is that they truly believe in the album that they have created. It was explicitly stated by several members several times that they believed in it, but it was easy to visually see that this record means a lot to them. My expectations grew, and honestly there is only one way to describe how I feel about this.

brand new eyes, in short, is perfect.

The opening track, "Careful" is a blistering introduction, loaded with siren guitars (compliments of guitarists Josh Farro, Taylor York, and Jeremy Davis on the bass) and thunderstorm drums (from younger Farro Zac)backing up lead singer Hayley Williams' obscenely gorgeous vocal abilities. As she howls, the band keeps pace with her in a pattern that follows through the next couple tracks of angry and well versed punk pop. This includes the current and first single off the brand new eyes, "Ignorance", which fully embodies the attitude that is prevalent on the record: one that is essentially a huge 'fuck you' to blamers and shamers. A very musically eloquent and beautiful crafted fuck you.

But then halfway through the calling out, the track "The Only Exception" slams into you with a totally different feeling, one of love and devotion that I have not seen from Paramore since way back when in 2005 with the closing track to All We Know Is Falling "My Heart". Instead of the resentment and pent up frustration that is the focus of a majority of the rest of it, this one, "Where the lines Overlap", and closer "All I Wanted" are stunning songs that showcase the softer side of not only Williams but then entire group. But more on that later.

The last half of the album features some more of the faster tempo songs, but it also is the part where Paramore seems to be experimenting more, and with success. "Misguided Ghosts" sounds like it was a b-side to post hardcore behemoths (and Paramore influences) Thrice's The Alchemy Index "Earth" EP. A more folksy and bare bones song, this track is a departure from anything the band has done before and instead of failing like so many bands often do, these kids from Tennessee get it right.

And then there is the closer. Final tracks are always tricky: you don't want to do a song that feels like it is being forced to be an end, but you also don't want the album to just end. Paramore have never had that much of a problem closing out their records (if you didn't get the chills while listening to "My Heart" then you need to get your nervous system checked out), but "All I Wanted" outdoes anything I have ever listened to in closing terms, including the holy grail from Brand New's (the band) first album Your Favorite Weapon, "Soco Amaretto Lime". Starting with a soft duet between Williams and the elder Farro, the track crescendos into a tidal wave of perfect melody and feeling. There is no way I can make you understand the way this track feels, it's one you'll have to hear for yourself.

In Alternative Press, Scott Heisel pretty much has it down pat in his review when he says that Riot! (Paramore's previous sophomore)was top heavy, the first half running laps around the letdown of a second half. And it is true, all the good songs on Riot! were within the first 25 minutes or so. But this is not the case on eyes, where there is no bad song to counteract the great ones. It sounds so foreign to me as a reviewer to say this, but they are all strong songs that could be good on their own, but as they are together make a masterpiece.

In conclusion, this might very well be the album of the year. Congratulations to Paramore for making a record that proves that anger, hurt, redemption, and love can all be overwhelming at times, but can also come together and influence one of the best records the music world will get.

Download These (legally!): The whole album. It's worth it.

Wednesday, September 23, 2009

New Picshas

(editors note: apparently "picshas" is a real word because the little red line that my mac uses to indicate that I'm being stupid and spelling something wrong is not coming up. who knew?)

Hey! Just a quick update until o get 5 seconds to breathe and post a real update, one including a review of the new Brand New album Daisy, the Gaslight Anthem, and next week the review of the apparently very good new Paramore record brand new eyes (punctuated just like that fyi). Until then here are some pictures of the new vinyl this week has brought me.

This is the latest 7" release from two very great folk punk bands, Fake Problems and Ninja Gun and is a split featuring one track from each. The Fake Problems side features a b-side "The Manliest Man of All Men" from the It's Great To Be Alive sessions, and the Ninja Gun side "Time and a Half"
This is a copy of The Gaslight Anthem's Sink or Swim Demos which features the tracks "Drive", "Navesink Banks", and "Drive". Got this at the show. The story that accompanies this 7" will be told in that review post.
Seattle Straight Edge masters (and now sadly defunct) CHAMPION's last LP Promises Kept. First pressing on grey vinyl, out of 750


Friday, September 18, 2009

Blurp

Gaslight Anthem is so great

Lady Gaga, Please Die.

Whenever I see her, I want to blind small children to save them from her hideousness.

Exhibit A:

Wednesday, September 16, 2009

Christmas in September

Best vinyl day in a long time. Not one, but TWO media mail boxes were home waiting for me when I rolled in after class today. They held my 2 copies of Life Long Tragedy's Runaways record, one on black/cream splatter and one on a black and cream mix. Gorgeous. And the second box, the one I've been drooling over, was my out of 100 "Friends Press" on clear waxSongs To Scream at the Sun from my favorite hardcore band Have Heart.

total epic win.

Side A of the "mix" version of Life Long Tragedy's LP.
Side B
Splatter version
My almost full box of records! In my great little woven wood milk crate from Target.
The gem. Only 100 of these ever made. One of the rarest versions of the best hardcore album of 2008, possibly of all the 2000's.

good day.

Sunday, September 13, 2009

KanYE = FaIL

First off, take your damn sunglasses off your crop circle shaved head. You are inside. It is nighttime. 'Nuff said. Secondly, I am not a fan of Taylor Swift, but my God bro, bum rushing her the first time she ever wins an award is a really shitty thing to do. And you can apologize all you want, but you ruined it for her. She is a 19 year old kid. And you managed to humiliate her in front of half the country. This was a dick move man. And I don't think America will look the other way this time when you've gone and shit all over it's sweethearts shining moment.

doh.

Thursday, September 10, 2009

new beeeeeautiful color vinyl

This is why I love vinyl so much. I had a crap day, and I come home to a record shipper from Revelation Records (www.revhq.com) and I open this bad boy up and out comes a gorgeous half and half dip of orange and plum. 2nd pressing out of 545. Great hardcore band. RIYL: Life Long Tragedy, Final Fight, Verse
Out of 300, (and sold out!!!!!!), this is an edition of the first press of Polar Bear Club's excellent sophmore record, Chasing Hamburg, out on Bridge 9 records www.bridge9.com

The album was also pressed on a cloudy gold to match the artwork, and a dark sky blue to also compliment the art. Very nice job to Bridge 9. The gold and blue colored LP's are still up for grabs so snag one while you still can or else it's the second pressing for you!